Download and listen to top Mohammed Rafi MP3 songs from the Mohd Rafi top 50 playlist exclusively on. Some of the most popular Mohd Rafi songs from this playlist are Abhi Na Jao Chhod Kar, Chura Liya Hai Tumne Jo Dil Ko, Teri Bindiya Re, Dil Ka Bhanwar Kare Pukar, Diwana Hua Badal, Chaudhvin Ka Chand Ho, Gun Guna Rahe Hai Bhanvare, Chand Mera Dil Chandni Ho Tum, Likhe Jo Khat Tujhe, Kya Hua Tera Vada, and the list goes on. All the songs in this playlist are so melodious that you cannot resist yourself from playing it again. This playlist comprises of best songs sung by renowned singer Mohammed Rafi. And for all his fans out there, Gaana curated Mohd Rafi top 50 playlist for you all. With a contribution of a vast number of songs, he has made a special place in the hearts of people out there. He has voiced a variety of songs, from fast peppy numbers to patriotic songs, from sad to highly romantic songs, from qawwalis to ghazals and from classical songs to bhajans.
He is known as one of the greatest and most influential singers in the Indian subcontinent.
#Muhammad rafi hits professional
He was not just a great singer but a thorough professional and good human being.Whenever we talk about someone with a notable voice, versatility and a wide range of songs, the first name that pops up in our mind is none other than Mohammed Rafi. Rafi’s death on Jcame as a rude shock to all. The film industry also credits him with having made the careers of many lesser-known actors like Rajendra Kumar, Biswajeet, Sanjay Khan and Joy Mukherjee. It is hard to imagine any other singer represent in his voice Shammi Kapoor’s flamboyant onscreen presence, the way Mohammed Rafi did. His death on Jcame as a rude shock to Indian music lovers.Īt various stages of his career, Rafi was considered the voice of Guru Dutt, Dev Anand and Shammi Kapoor. However, he continued to sing through the 70s and even staged a comeback of sorts in the late 70s with songs like “Kya Hua Tera Wada” (“Hum Kisi Se Kam Nahin”, 1977) and “Dard-e-dil” (“Karz”, 1980). Sadly, it also marked the end of Rafi as the dominant male singer in Hindi films. The end of the 60s, saw the superhit music of “Aradhana” (1969) and with it, the rise of a new phenomenon called Kishore Kumar. Meanwhile, his old relationships with Naushad and O.P. Even Shankar - Jaikishan relented and started using Rafi as their lead male vocalist in the 60s. Burman who one usually associates with Kishore Kumar, renewed a sagging career with Rafi’s voice in “Teesri Manzil” (1966). Rafi helped the young Laxmikant - Pyarelal become big hits overnight with “Chahoonga Main Tujhe” (“Dosti”, 1964). Madan Mohan’s career really took off after he switched from Talat Mehmood to Rafi after the failure of “Jahan Ara” (1964). Roshan received popular acclaim only after he used Rafi for “Zindagi Bhar Nahi Bhoolegi” (“Barsaat Ki Raat”, 1960). So wide was Rafi’s appeal during the 60s that he’s credited with the success of several music directors in this period. The year 1960 brought with it the film “Chaudhvin Ka Chand”, where the title song won Rafi his first Filmfare Award for Best Male Playback Singer. Shankar - Jaikishan were probably the only big name that used him sparingly during this period. Burman, Rafi expressed restrained angst through “Yeh Duniya Agar Mil Bhi Jaye To Kya Hai” (“Pyaasa”, 1957). Nayyar, he revealed a light and breezy facet of his voice in songs like “Dil Par Hua Aisa Jadoo” (“Mr. Rafi became the dominant male voice in Hindi films through the rest of the 1950s and worked with all the big composers of that time. If Rafi’s vocal virtuosity won him critical acclaim, the spirituality in his voice won him popular acclaim. “Man Tarpat Hari Darshan Ko Aaaj” and “O Duniya Ke Rakhwale” became huge hits. Lata Rafi Old Songs application is included all your preferred old hindi tunes. Lata and Rafi the two was playback vocalist of hindi film industry.Lata Rafi Old Songs containing many hit duets.Lata Rafi sung numerous tunes together. The magnum opus of their collaboration came with “Baiju Bawra” (1952). Watch all the well known and hit melodies from Mohammad Rafi and Lata Mangeshkar in this application. Naushad experimented with Rafi’s voice in “Dulaari” (1949) and “Dastaan” (1950) before using him in as many as three solos in “Deedar” (1951). The song was “Yeh Zindagi Ke Mele” (“Mela”). It was in this year that Rafi first sang for Naushad. 1948 marked the beginning of a relationship that would prove crucial for his career. Over the next few years, he got several offers and became fairly well-known. He moved to Bombay the same year and sang his Hindi film song in “Gaon Ki Gori” (1945). Rafi started his playback singing career for the Punjabi film “Gul Baloch” (1944).
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